More Alabama Chanin DIY

I’ve been a busy bee.

Today (the 11th but let’s see if I can post today…) I completed another baby dress for my daughter done entirely in hand stitching a la Alabama Chanin.  This one had a complicated motif, comparable to the last dress I wrote about, but I was able to complete it much faster possibly due to more practice and since the design made for quicker stitching.  Between these two complex dresses I also did an unembellished version and made plans for several gift items.  The gifts took all of April, and now that we are into May I’ll be doing some sewing for D and myself hopefully.



I adore the aqua colour  and feel of the fabric of this one!  Too bad there isn’t much of the original T-shirt left for anything else, because I love, love, love it.

I must rush and complete one gift by Saturday and have to hide its existence from my soon to turn 40 year old husband.  I’m not even sure I should write about it here in case he checks out the blog again, but he probably will not…  Of course I didn’t get the time to finish this post until after the gift was done.   

For L I made a T-shirt with a Star Trek inspired design on the chest.  I kept it simple in hopes of quick progress but also keeping in mind that he only wears plain shirts.  I would have liked to do a heavily stitched motif of the Enterprise or something cool, but due to procrastination and his tastes in fashion I skipped that and chose  “Darmok & Jalad at Tanagra” instead of an image.  I even planned to only decorate a purchased shirt, but then he told me how much he especially likes the seam stitching on Mini’s dresses, and so the project quadrupled in work.   I only made and cut the pattern (tracing off a shirt that fits him well) this morning, because I work best under pressure, and I didn’t get serious about making a gift until so late!  Unfortunately I discovered that 2XL Vneck shirts didn’t allow me to cut sleeves for his M sized shirt.  Drat!!!!  I had to run to the store and throw another package of shirts in the wash this evening, but I did cut the front and back, cut a paper stencil, traced with a Sharpie pen, and began basting the pieces.  The stencil is too small for the best results, so I’ll be using a back-stitch instead of running.  (I found the backstitch looked messy and went back to the running stitch.)  I didn’t want to enlarge the letters any more, and I hope it turns out okay.  Wish me luck!  I tried using a few nicer fabric options, like dark red and black, before settling on grey and black due to limitations of “yardage.”  I have three thread contenders: one matches the grey, one is a lighter grey, or I could go with black.  I’ll try swatches tomorrow to settle on something.


The dress that I completed today was a sort of test for the motif of a gift.  There is a local artist who creates lovely black&white cut paper bee designs (I’d have liked to get one for the nursery, actually,) and I was inspired to rip off do something similar when brainstorming for a decoration that a good friend of mine might enjoy.  She has a couple of the artist’s works, and I’ve been trying to come up with a good gift for her for a long time now to show my appreciation of the many, many, many things she has done for me.  She had told me she loved the Mini dresses and loved the idea of making something for a mutual friend when I mentioned the idea as a test.  I’m excited to start that project, but I keep having to do other things.  The practice dress has helped me refine the bee and honeycomb, so it was worth the delay?


I’ve been making these dresses a bit large, so they don’t look so great yet in the modelled photos, alas.

I didn’t copy any of the bees exactly but simplified one, and I wanted to add honeycomb.  For the next piece I might mix larger hexagons with smaller to work better with the bee?  I was extremely unhappy with the way the two stencils I made came out and had to play around with them a lot and even cut out new ones.  The plan was to have a bee at each end of the wrap, but I wasn’t happy enough with it to do the other panel.  Luckily the honeycomb stitches up super fast compared to anything else, so it worked out great to use that instead.





The black blanket stick around the edge doesn’t show very well.  I like how it turned out. Perhaps I’ll make one similar for myself someday, but I’ll probably never get around to it.  😀  This post sure grew long in the nearly month that I’ve been adding to it!

Baby Clothes… Alabama Chanin Style

IMG_1002So, I have a new crafting obsession.  I’m quite late to the Alabama Chanin DIY party, but I recently discovered Natalie Chanin’s books.  I’ve spent a lot of time gathering inspiration by reading the many blogs posts people have shared over the years about creating their own clothing using her methods.  Now that I’ve made a couple of things of my own I’d like to add to the sea of posts on the subject, and to add something fresh I’ve used the techniques to begin building a unique wardrobe for my baby.  In all my Googling I found pretty much nothing made for babies with the Alabama Chanin hand stitching and embellishment techniques on cotton jersey, so…




I’d actually heard of Project Alabama back in the early 2000s, but it seems that Natalie had to branch out on her own to maintain the made in the USA for fair wages aspect of her vision, and that is how Alabama Chanin came about.  I found an Alabama Chanin wrap dress pattern while looking for inspiration for drafting my own dress, and one thing led to another.  (As far as the dress, I ended up transforming my standard tunic dress into a wrap, and I love it!  Something for another post, I suppose.)  I decided to purchase the AC pattern and then realised it was going to be quite the endeavour.

Normally I do not sew knit fabrics.  Okay, I never do.  Back at FIT we did one project in jersey and used highly specialised machines for it.  I never considered knits after that since the machines are ridiculously expensive, heavy, and huge.  While I saw others using modern sewing machines to make clothing from jersey I never cared to learn about that realm thinking it would be too much a bother when I could just buy the items more cheaply.  After a while I didn’t find so many suitable shirts and did wish I could make things that would fit better, not have such thin fabric, or were more to my taste, but construction still presented a problem since I couldn’t really picture a way to do nice seam finishes or achieve a remotely professional look.  Then I was looking for wrap dress ideas and found the AC pattern, which led to reading blogs, discovering that apparently one can hand stitch cotton jersey, and buying one of Natalie’s books.  Hand stitched knits?!  Who knew!

Of course I wanted to make the dress, and I wanted it long.  I went out and bought 4yds of fabric and it occurred to me that this was a pretty big project to begin with.  Even so I was all set to dive into the deep end and figured it wouldn’t be too time consuming, but I was a bit nervous to cut into the somewhat pricey fabric without doing a toile.  Instead I thought it might be fun to make something tiny for D.

Never doing things in moderation, I went to the thrift store and came home with a dozen or more XL mens T-shirts to turn into baby clothes.  While going through the racks inspiration hit, and my own dress was all but forgotten.  I loved that I could use old T-shirts for fabric while D is still small, and making her clothes solves my problem of building her a wardrobe in the next sizes up.  Besides, I rarely like what I find in the stores anyway.  I used some purchased pieces as reference and drafted little dress, T-shirt, pants, and bolero patterns in a size somewhat larger than needed now.

I began the first piece with a really cool fabric.  It was a garment dyed T in a lovely purple from a jazz festival.  I cut out a simple shift dress and decided to appliqué a few lady bugs cut from the scraps for embellishment.  Note: I actually was starting with a lovely dark green T and the same dress, but when I tried using fabric spray paint and a stencil it was ruined entirely.  The very thin paint wicked instantly into a sad blob.  Instead of spray paint I tried a Sharpie to mark the lady bugs.  I traced them onto scraps and carefully pinned them onto the dress matching grain lines although I see from the photos in the book that AC doesn’t seem to bother with the grain.  It was a fun project, and I discovered I’d underestimated the time involved by a fair amount.  Yup, a dress would be a major commitment, so baby clothes that are “quickly” completed would give a much better accomplishment high.  I wonder when I’ll try tackling a large project for myself knowing now how long it all takes?

The jazz shirt wasn’t all that large, and I was lucky it was made without side seams allowing for creative placement of the pattern.  The sides did have a faded streak, so I centred the back on that line to avoid too much weirdness.




The purple dress really didn’t take awfully long though, because it did not involve cutting and basting two layers or tonnes of decorative stitching.  I was very pleased with the end result and motivated to begin more.  It was time to try the signature AC look with two layers of jersey and reverse appliqué.  I carefully cut out a grey-beige layer and used a thinner dark navy T-shirt for the inside.  I’d searched the local craft stores and bought a few stencils that I liked and which looked somewhat suitable for the process, (but I also have plans to make some of my own with better motifs.)  For this dress I chose the fluffy flowers but also thought it would be cute to add bees.


Instead of spraying paint and ruining the fabric I tried Tulip fabric paint applied with a foam stencilling dauber.  The colours available to me locally were too bright and the wrong palate, but the ugly ballet pink-beige paint actually worked for this.  Next time I’ll see about using Jacquard.  Adding the bees was fun, and I ended up deciding to put one on a sleeve too with a flower on the other side.  My plan was to tie knots on the outside and embrace the handmade look.


After carefully basting the layers together I started by stitching the back, and it went well.  Then I did the sleeves quickly.  My attention had begun to waver by the time I was working on the front, and it had the most stitching to do.  Being able to pick up and drop what I was doing or take the panel to another room made it an ideal project to try working on while caring for a six month old.


Finally it was time to carefully cut out the top layer from the stitched areas.  This is where using smaller and less appropriate stencils makes things tricky.  I started on a sleeve in case I cut through both layers thinking is a less painful piece to re-make.  I did not have any such accidents until the last section: the complicated and time consuming front panel.  I ended up darning those bits to the best of my ability.  Gah!


I didn’t have many chances to work on the dress, and completion took a few weeks.  When it came to construction I first had wanted to use floating seams, on the outside, as a part of the design.  I liked how this looked with the two colours, but I was not keen on the appearance of the running stitch in light thread.  So, I tried the decorative stitching that I used on the purple dress, but I thought the light thread and busy stitch took away from the reverse appliqué.  L agreed, but I was reluctant to un-pick both shoulders and sleeves of work.  First I un-picked one to re-do in dark thread.  I liked it far better and nearly finished the entire garment with it, but L suggested combining both light and dark.  I went with that and am mostly pleased.  I like it, but I also have the original vision in my mind too and would have like it.  Even the decision of where to use which thread on each seam caused some angst over the different directions of look to go with, but I am not unhappy with the choices.  Finally the dress was all done!




I have already cut out some more double and single layer dresses.  The simple single layer one is half complete despite only a few minutes of work, but I’ve discovered that it is more pleasant to hand stitch when using two layers.  Interesting.  Perhaps it is only the particular fabric, but the needly just doesn’t find its way through without a lot of effort.  The plan is to make a decent number of simple shifts and a few fancy ones in a size the might work as a dress and tunic for a while.  I have also drafted a pixie hat pattern besides the pants and bolero, and before the hand-stitching craze hit I’d made a few similarly flexible patterns for woven fabrics that I’ll write about next.




A Fabulous Pram Re-make Part I: ’90s Emmaljunga “Viking” Stroller/Pushchair

So, it has been a little while!  I last wrote just before giving birth to my daughter and was rushing to complete my last project.  Well, I did finish that stroller chair the day after my last post as I’d hoped.  Today’s post is to detail that process.

Unfortunately I couldn’t begin the second portion of the project before Mini’s arrival, because I didn’t have the necessary fabric and wasn’t willing to tear apart the original bassinet.  Now I do have another one to use and the required yardage, so I began the pattern for the pram today Tuesday.  It seems I can only work on things for a half hour or so at a time these days, so I’m afraid it may be a while before I write about it in favour of actually finishing the piece in order to use before she grows out of it. Hopefully.

The timing was off, but I acquired another “viking” pram and stroller set with fabric in poorer condition than the first.  I only wish I’d had it sooner, because the better hood portion was torn apart to re-cover, and the second is very faded. It’s sad, but I’ll either fix the first one somehow or find some way of making it all work to have an original red set as an option besides what I’m about to show you…

This entire project was quite unnecessary but inspired me far too much to let go.  I had some fabulous fabric in mind to make a really unique and special stroller.  Did I need another pushchair? Not at all, but I wanted to show the world (or at least whoever happens to see it) the pretty thing I could make and to have a fancy stroller for my daughter.  Babies do have a tendency to make people want adorable little things, eh?  Reactions to the linen re-make of the Hedstrom pram has been fantastic, so I can’t wait to have the “viking” done!

Here again are the fabric and the stroller seat attachment:

I don’t know about anyone else’s taste, but I love this ikat patterned velvet!  There is a black colour-way that I slightly prefer, but this grey is reasonably neutral besides being fabulously bold.  Whatever colour I’m wearing should go just fine with it, but it makes a statement for sure.  So inspiring!  

Choosing how to use the ikat and plain grey velvet was a difficult decision, and I was very uncertain for days.  I didn’t have enough of the expensive ikat to use it exclusively, and I also felt it was a tad too bold not to tone down with a solid anyway.  It was an easy decision to use the plain grey for the underside pieces of the seat cover, but the hood canopy was a tricky matter.  I was afraid that using ikat as the outer fabric would look “too much.”  I wanted a fabulous stroller and to avoid an unnecessarily busy look in favour of something well planned and eye catching.  To achieve this I began by cutting out the pieces of the seat cover carefully positioned over the portions of the design I liked best and with matching in mind.

Then I tried to settle on the hood design.  I considered using the ikat outside with the inner portion lined with the solid grey.  I thought about doing the front crescent, inner and outer, with the ikat and the lower portion and bag section in the grey.  Then I thought about scrapping the pattern from the original and using a hood design better suited to the ikat!  I could make the bag section less tailored and of one shirred piece, like my Simo stroller, or I could create shaping in my own way with darts or at least make a few changes to the pieces to better frame a large print.  However, I chose to stick with the original, and when I was sure about some of the pieces cut them out to arrange final placement by pinning them to the frame before sewing.

Eventually I settled on the interior being ikat with the grey outside.  I felt it looked more intentional and liked the surprise inside rather than have it look like I was simply saving on material with lesser fabric inside.  (Even now that it is complete I’m not entirely sure I should have gone with this placement, but I do like it most of the time.)

The original cover had a little batting to pad the wooden seat support, but I wasn’t keen on adding a layer like that.  Instead I used a scrap of memory foam (mattress topper) and stapled it under muslin to the boards.  Cushy!

Next I worked on the seat cover.  It was pretty easy except that I mistakenly pinned the flap that secures the cover over the chair frame backwards and had to rip that section out to re-sew.  Due to the velvet and there being many layers I took a lot of time to hand baste each seam before stitching on the machine.  Even so, I managed to catch the edge of one side in a seam.  Drat!  Here you can see the backwards flap and the caught edge before I ripped them out and fixed it:


Very soon the seat was done!

I was very pleased with the results and so tackled the hood.  It involved a lot of pins and hand stitching, and I’m still not thrilled with the way I worked around the riveted bit by slashing the fabric to slide around as best I could.  (This part is making me very hesitant to commit to starting that part of the pram now!)  The shiny metal bit is a distinguishing feature of the “vikings” but it complicates re-covering terribly.  I might have drilled out the rivets, but two are also anchor points for the weather shield, and I wasn’t confident about being able to replicate a secure rivet that would endure a lot of use.  Now I have a tiny unsightly flaw around them though, and it is driving me batty.

One things remains to be done.  I made a pattern for the weather cover, but I haven’t cut the ikat or vinyl for it yet let alone basted or sewed it.  I have time before this stroller will be used, so that is on hold while I try to complete the pram before Mini grows too big for it!


You can see how adorable the red is too and why I wanted to have the option to use it also and not ruin it?

Today yesterday Tuesday I began to pattern the bassinet hood.  It only took a few minutes of pinning muslin to it and tracing the edges, but then I had to stop for other chores and to spend time with Mini and L.  It felt pretty good to finally make even a little progress though.  Today or in the next few days I’ll continue.  I plan to make Tyvek pattern pieces from the tracings, cut pieces from the velvet, and complete the hood section before working on the body of the bassinet.  (I bought a roll of Tyvek long ago to make patterns, because it ends up being much cheaper than Swiss paper but more durable than paper.  I can’t stand the feel of paper anyway. A drawback is how opaque it is.)  The seat of the stroller uses snaps and design to be able to take it apart and even switch out the covers, but unfortunately the hood pieces do not allow for that nor does the bassinet.  Mostly it does disassemble fairly easily by removing three screws, folding away some metal spreader arm things, and it is nearly the same construction as the Hedstrom bassinet.  It will be a fiddly project but hopefully not too bad.  The biggest wild card to deal with are various rivets to replace with something as similar as possible or to adjust the design a bit.  I’ll see.  

Re-making Vintage Prams & Strollers Part I: a Hedstrom Bassinet/Carrycot

This is something I haven’t really found anyone else writing about: re-making/re-covering/re-upholstering old prams.  Although in researching them I’ve found some bloggers using older prams for their kids I haven’t seen anyone take one apart to revamp it with new fabrics.  That kind of surprises me!  Today I’ll talk about the first pram that I re-made, and then I’ll be posting about an ongoing project that I’m excited about.  The new project is unfortunately going to be subjected to delays thanks to lack of materials on hand and the impending arrival of Mini.  (She was due this past Saturday and is being evicted one way or another before this weekend.  While I’m very excited I’m also worried about ever finishing the newest pram!)

Prams and strollers/pushchairs, vintage or not, weren’t on my radar until I spotted an old Hedstrom in one of my favourite thrift stores a few years ago.  I didn’t need it.  I hadn’t known I wanted it, but once I found it; I did.  😀  Sure, I hesitated while the more sane part of my brain tried to win, but I kept pushing around the store as I browsed, it was only something like $10, and soon it was going home with me in hopes that we’d be making use of it some day.  I just liked how it looked, all metal and old fashioned, and I thought it seemed practical with the detachable bassinet and gentle rocking motion.  The fabric wasn’t so lovely and a bit crumbly, but I knew I could either clean or fix it up.  Once home the frame polished up nicely, and I began Googling old prams.  Right away I decided on using linen to re-make the bassinet, because I just didn’t like the knit navy fabric very well or expect it to last much longer.


It was very difficult to select a fabric.  A somewhat lime green was my favourite option with a fairly muted red next in line.  Dusty shades of pink, green, and blue were runners up.  On the one hand I wanted to use a fun colour, but on the other I was afraid to have it clash with my outfit too often and also deferred to L’s preference and used the dull khaki green.  I still have the lime yardage and wish I’d used it instead, because it would have been a much more dramatic change and look, and this has influenced my choices for the new pram project.


Anyway, I have very few photos on hand from re-vamping the Hedstrom.  I tore it apart completely and jumped in with creating a pattern from the old pieces and re-builidng as best I could.  I had to replace the rivets with bolts and cap screw things, and sadly I didn’t make a matching cover to snap on, although I did include the snaps on the body to attach one.  I’m not sure what happened to the remaining fabric to make the cover.  😦  Everything was replaced except the frames and supports.  I used a fancy vinyl inside and to cover the mattress board.  The mattress support has a portion that snaps up into a seated position, which is nifty, and I made a mattress cover and pillow to match with the same green ticking striped cotton as the hood lining.  I was fairly pleased with how it all turned out.

Here are some recent shots:

Since then I’ve seen other similar prams, and I realised that I was missing more than the weather cover.  Technically the Hedstrom was complete aside from the weather cover, but plenty of other similar prams had seat attachments to turn them into strollers.  Shoot.  That’s far more useful!  Some brands and models are prettier, like the curvaceous and velvety Herlag brand I’ve only spotted rarely, some are boxy and less appealing to me, and some have a bit of a following like Emmaljunga’s “Viking” model.  As with most things like this I became a little obsessed, collected a few strollers, and still ended up crossing the river and a state line to pick up an early ’90s Viking frame, bassinet, and stroller seat set after seeing a particular listing on Craigslist forever at a steal of a price.  (I just couldn’t ignore it and let it go.)

Not the best Herlag example, but I saw a shiny one just like it but in better condition that really looked amazing with the curves:

Oh wait, here is another swiped photo but of the shiny one:


I took these photos from an eBay listing.  If only I had unlimited funds and space I’d probably get a Herlag too… polished up it would be soooooo gorgeous!  *sigh*  This brand is by far the most elegant in my opinion, and I wish I could trade the Hedstrom for one.  The corduroy inspired me to use velvet for the Emmaljunga to get a similarly rich look if not the elegance.

Emmaljunga’s Viking is the only somewhat popular old stroller people are using out there, as far as I can tell, aside from hard-bodied varieties like Silver Cross.  They came in navy blue most frequently and sometimes forest green or bright red all with white vinyl accents.  Other models had some funky fabric and vinyl options especially in the ’80s.  While you can still buy new hard-bodied prams that look old the soft upholstered kind turned into a modern take before 2000, and it seems that Scandinavians were the last to do upholstered prams that would pass as more vintage to most eyes.  (Emmaljunga is Swedish, and more common to find, but Simo is a similar Norwegian brand with a few American strollers out there from the ’90s too.)

Here is sneak peek preview of the Viking project…  I made a lot of progress today and should complete the stroller half tomorrow.  The bassinet portion will be on hold indefinitely, which sucks, but I don’t have the time or fabric for it now.  Also, I’d banked on using a $15 “donor” seat and bassinet set in order to save and use the red whenever it suited my fancy, but that fell through.  😦  The carrycot is in better condition, so I can’t bear to take it apart aside from the time and materials dilemma.  Either I’ll never end up making the matching bassinet that I envision or it’ll be with a suitable one in poor condition later.  *Sigh*  It was going to be gorgeous.  So, hopefully I’ll get to write after I’m done tomorrow but for now here is the original red stroller and the fabric I’ve used to re-make it:

I do feel terrible about ruining the original red set.  Gah!  All I can tell myself, and you, is that the stroller seat/hood part of the set was somewhat ratty up close… even with a spot or two worn right through.  It was still super cute though, and original!  And I had a red and pink Haba stroller toy thing that matched it so well, and a quilted seat pad too…  Gah!!!  I’ll definitely be keeping an eye out for a replacement if I can ever happen upon one.  (The hood portion is all that I really need if anyone out there has one for some reason.  Well, the bassinet too if I want to re-cover one some day.  Anyway…)

Part III: Reupholstering & Refinishing a Rocking Chair

Slowly I am getting there.  The chair is nearly done.  I’ve found it necessary to rest too often lately, and it has really extended the timeline.  L has been working from home which also kills my levels of productivity thanks to a lot of interruptions and time taken to make meals that otherwise wouldn’t be happening.  I naturally have a harder time with my motivation when anyone is around besides.  Finally the end came into sight yesterday though, and I’m mostly happy with the way it is turning out.

In the afternoon I had to stop work early, and I was as far as having attached one outer arm section.  Today I should do the other outer arm and the back.  Then I could make and glue the double welt trim to completely finish… except that I need a lot more of the cord to do that.  (I selected a thinner kind than the big spool I have since the velvet makes it appear even wider.)  Drat, drat, Drat!  Tomorrow I have an appointment which is right by the store to get more, so I cannot finish it until sometime after.  I’m not thrilled about this, but I’m not wasting time and fuel today to go to the store when I have to be there tomorrow.

Here is yesterday’s stopping point.  Aside from missing the finishing welt on the edge it looks done from this angle, yay!

stopping point the 19th June 2017.jpg

You may notice a flaw that I regret…  When I pieced lengths of bias for the welt trim for along the inner seat I mistakenly switched the direction of the nap of one piece, and the light catches it very obviously.  I’m irked with myself for not catching this until I was in the midst of gluing, and for thinking that the bias would keep it from being noticeable.  It sticks out like a sore thumb to me, and I am past the stage where I could tear it off and replace it.  (I was too afraid to try this when I first realised only halfway through gluing, and it could have been a big issue pulling out staples from the narrowly trimmed edge and ruining that side, I guess… so, I’m trying to ignore it.)

Bits of bias cut velvet made into cording/piping for the seat and to border the outer back:

The piping gets sewn to one seat piece, and then you go over the stitching again with it sandwiched.  All the sewing is done with a double cording foot.

stitching seat deck pieces and piping.jpg

At this point I was excited to finally begin applying the pretty fabric to the chair.  I measured and marked where the piped seam should sit to make it easier and more precise to attach.  I’m not certain if this is correct, but it seemed like a good idea to hand stitch the seam to the line in order to keep its proper placement.  All my other sofas and chairs had separate cushions, and this is similar to what is done with the seat deck in those cases.  I didn’t want it to pull out of position as I stapled or to slide with use, and I hope it works out well long term. (Not only to look better, but using a curved needle really sucks and cramps up my hand, so it better be worth it!)

Stapling the seat and then finished off with welt:


Inner arms done and gluing the trim:

Attaching muslin and dracon:

Stapling outer arm:


At this point I realised I could finish off the bottom with cambric and didn’t have to wait until I have the welting cord or anything.  Yay.  The straps are all hidden and clean now.


Waiting for another outer arm, the back, and finishing trim:

So close!  If only I wasn’t held back by running out of the cord!  I cannot even spend the rest of the day making pillows without it.  Instead I’ll probably install blinds and do other small tasks depending on my pain and energy levels.  Needing the space to work on the chair has kept me from pulling out the crib, or anything like that, and I could today… but I probably should wait until after our vacation that starts tomorrow just to avoid unnecessary cluttering.  Perhaps I’ll plan out the quilt(s) to figure out yardage requirements or even cut out a dress?  Or just spend too much time laying flat on my back to keep it from going into full on spasm, more likely.  Sigh.

Singer Single Thread Embroidery Attachment 26538

I did not finish this post on the 5th of July  Heh!  Anyway…

Today (I am not likely to finish writing this tonight, the 5th, but let’s pretend…) I received something very special in the mail: a vintage Singer embroidery attachment.

Some ten years ago or more, I saw a very expensive and very interesting attachment on eBay sometimes.  Whenever they popped up the bidding wars began between the Featherweight crowd, and over time the prices only became worse.  I’d been introduced to the ingenuity of the old treadle machines, and the attachments produced for them, and I was on the hunt for more, but I just couldn’t swing the big ticket embroidery attachments at hundreds of dollars (at least not unless I would forgo the actual machines, treadles, and more basic attachments.  Priorities and stuff.)  However, I put it on my to-acquire-eventually list.

Now I have one.  W00t!

Not only is it a nifty old embroidery attachment capable of adding beauty to my projects, but it is the rare “single thread attachment.”  They are hard to find outside of eBay, can be extremely expensive, and are tiny little marvels of creation.  It never fails to amaze me how cleverly designed old gadgets and machinery can be.  (Forget boring computerised and electric stuff!  The workings of perfectly designed gears and such are so darned lovely!)  :Swoon:

There isn’t too much information out there about the single thread attachment (or its more interesting-to-see-in-action sister, the two thread) aside from a few videos.  April 1930s is a great resource for vintage attachments, and almost everything I know about 26538 is from her site.  Across the web there are a few short reviews, videos, and mentions, but I haven’t found anyone posting their work produced with the attachment.  I hope to fill in that void and eventually share some finished projects.  For now I do have a tip that may be of use to someone, because I while I was quite lucky to receive a working 26358 from eBay today I… uh, promptly mucked it up.  Luckily I was able to sort things out, and I truly think/hope that the solution will help someone out there eventually.

A shot of the 26538 all set up on my Singer treadle 15-30:

26538 on 15-30

A view from the side:

side view attachment

Close-up while I tried it out for the very first time:


…and the very first sample:

stitch sample

Isn’t that stitch lovely?  I’m looking forward to using this to create pretty things!

Here is a silly video that I took showing how the attachment works and explaining how to adjust and fix it if you screw it up like I did.  I’m rather embarrassed by the video, but I was tired of trying to film, speak, and sew… and will have to live with sounding ridiculous.  😀